Showing posts with label One Step Beyond (1959-1961). Show all posts
Showing posts with label One Step Beyond (1959-1961). Show all posts

July 18, 2025

Haunted Titanic: Exploring the spooky side of the disaster with two TV episodes

The tragic sinking of the Titanic on April 15, 1912 is almost singular in its hold on the popular imagination for 113 years now and counting. At the time, it was the deadliest peacetime maritime disaster in history, leading to significant safety reforms that are still in effect today.

But maritime reforms don’t explain why the RMS Titanic holds such a grip on our imaginations. All of the elements of classic, tragic drama lined up for that fateful voyage: the glory of the largest ship of its day embarking on its maiden voyage; the hubris of steaming at nearly full throttle even as the the ship received multiple warnings of icebergs; the dearth of lifeboats that consigned more than 1600 people to their deaths in icy waters; the eeriness of the ship’s band continuing to play even as the doomed ship was sliding into the ocean.

Death was an equal opportunity reaper: it took wealthy elites like John Jacob Astor IV as well as those who boarded third class (not to mention that 3 out of 4 crew members perished)

If there ever was a chance that the unsinkable ship that sank with so much loss of life would fade into memory, the amazing discovery of the ship’s final resting place in 1985 and subsequent videos of the wreck and its interior so many fathoms beneath the surface, assured its place in collective memory for many years to come.

Of course, such a devastating object lesson in human fallibility and misplaced faith in technological progress was bound to generate more than its share of myths and legends and spooky stories that seem to suggest that Jung was on to something with his theories of the collective unconscious.

An article at The Encyclopedia Titanica, “Ghostly Tales from the Titanic,” gives a chilling overview of the spookiness surrounding the tragic event. For one, there was the sighting of the Titanic captain’s ghost by his wife a thousand miles away from the scene of the disaster. Smith’s wife, “Sarah Eleanor Smith, was in her drawing room when the door opened. She watched her husband walk across the carpet towards the window….When he reached the window, he simply disappeared. It was too early for news of the Titanic to reach her, but she knew. From the moment she saw his ghost, she knew.”

Video cover art - One Step Beyond TV series
Now Playing:
“Night of April 14th,” episode of One Step Beyond (S1, E2; first aired January 27, 1959)

One Step Beyond, hosted and narrated by actor-director-producer John Newland, was an anthology of true tales of the supernatural that ran for 3 seasons, from 1959 - 1961. Like its more famous contemporary series The Twilight Zone, the half-hour program featured plenty of familiar faces from TV and movies of the day, including actors like Charles Bronson, Christopher Lee, Elizabeth Montgomery, Donald Pleasance and many more. The fact that the night’s drama was, as Newland pointed out in each introduction, “a matter of human record -- you may believe it, or not…” added a touch of uncanniness to the episodes.

Just the second episode to be aired in the series, "Night of April 14th" delves into not just one but several uncanny paranormal stories connected with the sinking of the great ship. The main storyline concerns a well-to-do young bride to be, Grace Montgomery (Barbara Lord), who, as her wedding date nears, is not sleeping too well. The scene opens on Grace as she starts out of bed, with a feeling that she is drowning in icy cold waters.

She relates her vivid nightmare to her dowager mother (Isobel Elsom), who assures her that it's only pre-wedding jitters, and that, since she will be honeymooning in Switzerland, there's very little chance of drowning.

The all-too-real nightmares continue, and her sense of impending doom is only given more fuel when her cheery bridegroom-to-be, Eric Farley (Patrick Macnee), announces that he's changed the honeymoon plans, and has booked them first class passage to New York on the newest and biggest ocean liner, the RMS Titanic.

Screenshot - Patrick Mcnee and Barbara Lord in "Night of April 14th," episode of One Step Beyond (1959)
The honeymooners try to steel their nerves as the unsinkable ship starts to go down.

Grace tries to suppress her misgivings as her mother confidently states that all the experts consider the ship to be "unsinkable." But the nightmares persist, and at one point Grace protests that she can't possibly go on the voyage, as she clearly saw "Titanic" stenciled on a lifeboat in one of her dreams.

But actually tying the knot seems to calm her down, and the next scene shows the honeymooners enjoying the cruise from comfortable deck chairs. However, two other male passengers strolling the deck add to the palpable dread, as one, out of earshot of Grace and Eric, tells his companion about  dreaming of "a terrible grinding sound" and shuddering all around the ship.

Soon enough, the terrible grinding and shaking throws the couple to the floor of their stateroom. At the lifeboat station, Eric insists that Grace get on the boat. Tears streaming down her face, Grace declares that she has loved their marriage, "all 6 days, 5 hours and 20 minutes of it!" Trying to keep his wife's spirits up, Eric responds that "if you ever have another bad dream, I'll listen to you ... every word!"

The episode cleverly punctuates the poignant story of the honeymooning couple with vignettes of other eerie forebodings that suggest that certain traumatic events can affect sensitive people through the fabric of space and time: As the Titanic is sinking, a Canadian minister, preparing for his sermon, suddenly is seized with the idea that his congregation should sing the hymn to those in peril on the sea; and in New York, a magazine illustrator, as if in a trance, draws an eerie and affecting picture of an ocean liner sinking.

Screenshot - Illustrator and his wife discussing why he decided to draw a picture of a sinking ship
The illustrator wonders how he's going to sell a bleak picture of a sinking ship.

There is even a bit of gallows humor as a portly passenger in a tuxedo bellows sarcastically to a fellow passenger about the great service -- "they ran out of ice, but now that we've hit an iceberg, the stuff is all over the decks!"

Barbara Lord as Grace and Patrick Macnee as Eric provide the coup-de-grace as the unlucky couple. Especially affecting and very believable is a scene in their stateroom as the post-collision commotion is sounding outside the door. With a luxurious fur coat wrapped around her, Grace is absent-mindedly putting on her jewels as if getting ready for a fancy ball, while Eric makes wry observations to steel his and his wife's courage.

Lord guest-starred on only a relative handful of TV shows between 1959 and 1961. While she made a brief comeback on US TV in the '80s, it's a shame that such a capable actress didn't get (or want) more work. Patrick Macnee would soon go on to appear on the hit UK TV thriller The Avengers in his signature role as the dapper John Steed.

Per the show's format, host John Newland gets the last word, and it's a doozy. In his epilogue, he relates yet another extraordinary coincidence (or was it?) concerning the Titanic. If it doesn't send at least a little chill down your spine, you need to check yourself for a pulse.

If you dare, click play to see his eerie epilogue:

Video cover art - Night Gallery TV series, season one
Now Playing:
“Lone Survivor,” episode of Night Gallery (S1, E5; first aired January 13, 1971)

In contrast to One Step Beyond, which purported to be true stories, Night Gallery's "Lone Survivor" episode is all fiction. Written by the man himself, Rod Serling, the episode begins with an ocean liner steaming through fog-shrouded seas (are there any other kind in stories like this?). On the bridge, one of the ship's officers spies a lonely lifeboat through the mist.

There is a single figure in the boat, which appears to be a woman. But there's another detail that the officer spots through his binoculars that has him and the Captain shaking their heads in disbelief -- the name on the bow of the lifeboat is "Titanic."

When a rescue party gets to the lifeboat, there is only the figure, which turns out to be a man dressed in women's clothing, and a single blanket. When the lifeboat is hauled aboard the liner, the rescuers notice that the hull is barnacled as if the boat had been floating in the ocean for years.

The rescued man (John Colicos) is taken to the infirmary, where he is interrogated by the Captain (Torin Thatcher) and the ship's doctor (Hedley Mattingly). He insists that the year is 1912, and that he, a stoker on the Titanic, is a survivor. When informed that the year is 1915, he still insists that he must have survived alone on the seas for all those years.

"Have you ever been so frightened you'd do anything to survive?" the rescued man pleads with his interrogators. The ship's officers of course are disbelieving, with the Captain wondering out loud if the lifeboat and its contents are a German trick to slow his ship down (it is 1915 after all, and there's a war going on).

Screenshot - Hedley Mattingly, Torin Thatcher and John Collicos in "Lone Survivor," episode of Night Gallery
The survivor is in agony at the thought of being caught wearing last year's women's fashions.

SPOILERS AHEAD ON THE STARBOARD BOW!

In a fit of anguish, the survivor reveals his dark secret: "I'm a Flying Dutchman, doctor, made of flesh and blood and bones. Damned and doomed. An eternity of lifeboats, rescues... and then forever being picked up by doomed ships."

The scene cuts to a closeup of the cap of a crewman who has just sighted a torpedo headed straight for the ship. The name on his cap is Luisitania. The episode ends with the survivor once more cast adrift on the seas, and yet another ship's crewman spying the lifeboat and calling out the alert. Can you guess the ship? Click on the image below for the answer.

John Colicos turns in a great performance as the survivor, his face an authentic mask of anguish as he spills out his shame and dread to the Captain and ship's doctor. Colicos will be very familiar to fans of '60s and '70s TV, where he seemed to be everywhere you turned your dial. Star Trek fans know him as the Klingon commander Kor from the classic original Star Trek episode "Errand of Mercy."

Another familiar face is the Captain, Torin Thatcher, who started out playing villains in costume dramas before inevitably settling into TV show guest spots. He also appeared in Star Trek and One Step Beyond, among other popular series.

"Lone Survivor" is a haunting episode with a sort of double-twist ending (although you have to know your maritime disasters to fully appreciate it). Serling adds an eerie overlay to his Titanic survivor/Flying Dutchman myth by suggesting that the ships that keep rescuing the man are themselves phantom ships, and their crews are ghosts that are there to carry out the curse and then vanish.

This post is part of The Titanic in Pop Culture Blogathon hosted by the unsinkable Rebecca at Taking Up Room. Visit her blogathon page for more great posts on the impact of the Titanic disaster on movies, TV and beyond.

July 24, 2013

Fabulous, Fantastic TV Shows of the Fifties: Special "DIRECTV is watching you!" Edition

My apologies for the infrequent posts on the blog -- I'm still in the middle of what has turned out to be a marathon move, hunkering down in a short-term lease apartment while going through all the paper work (and work work) of securing a more permanent abode. The tiny light I see at the end of this tunnel may be the shining light of future happiness or the great express train of life, but either way I'd be grateful for a quick resolution.

Personal DVD collection
"Hmmm... do I really want to pack up all that stuff and move it?"
As I mentioned in an earlier post, packing up and moving all your Stuff (with a capital S) tends to focus the mind on priorities and what's really important in life. Lots and lots of stuff weighs down your body, your freedom, and your soul. After packing the umpteenth box with books and dvds, I've developed a much better appreciation for the great digital "anywhere, anytime, any device" revolution. Is it really the package -- the book, the disc -- that's important, or the content? Now, if only the content providers and the distributors could all just get along in a great, happy circle of cooperation and profit, while at the same time providing us needy consumers with reliable, stable, high speed access… what a wonderful world that would be! (On the other hand, as long as companies like Apple conspire with publishers to keep e-book prices high, and owners keep threatening to pull content from distributors like Netflix to wring that last penny out of their "intellectual" property, physical media will still be with us… and we'll continue to box it up and move it out.)

Another benefit of moving is that it motivates you to re-examine all those pesky entertainment/media subscriptions that seemed so necessary at the time, but like guests who've overstayed their welcome, are no longer charming and keep raiding your fridge and wallet for every last nickel and crumb.  We started out subscribing to basic cable with the local monopoly, got tired of the constant price increases, then went with DIRECTV, and quickly got tired of the vast content wasteland that that service delivered for a premium price.  I had long since given up on the shouting, blathering, talking heads of the so-called "news" outlets, and found myself only watching baseball and the occasional TCM flick for DIRECTV's hefty price. Canceling hundreds of channels of nothing seemed like a no brainer.

The re-education of Alex, A Clockwork Orange (1971)
"You will subscribe to DIRECTV, you will watch it,
and you will enjoy it!"
The only catch is, DIRECTV is harder to get rid of than a surly, 800 pound freeloading house guest. When I called to cancel, the customer (dis)service rep wanted to grill me about why I was taking such a drastic step. He was incredulous that anyone would willingly cancel their obviously superior service. But that was not the end. Since that fateful call, I've gotten numerous call backs from similarly incredulous customer reps wanting me to rethink and/or explain this clearly suspicious, un-American behavior. When I finally told one of them off and demanded that they stop harassing me (and to take my phone number out of their data banks), the vaguely threatening "We're sorry to lose you!" emails started up.

As if that weren't enough, they sent me a puzzle box in the form of a DVR recovery package with a pre-printed address label. The instructions clearly directed me to include the remote and the power supply along with the unit or face severe penalties, but of course, there was no room for them in the box, so I had to use an x-acto knife and my ingenuity to get them all in there. Now, I'm waiting for the "destruction of and/or misuse of DIRECTV shipping materials" charge to show up on my final bill.

Patrick McGoohan and Leo McKern in The Prisoner (TV series; 1967-68)
"I'm sorry sir, cancelling your subscription is not an option."
No doubt, this year or next will see the introduction of the "Early cancellation consumer terrorism" act in Congress, written by corporate lawyers and dutifully passed and signed into law by the chuckleheads and lackeys of Washington, D.C. I expect to be hauled off to a re-education camp (if I'm lucky!) to have my brain re-wired so that I can better appreciate the cornucopia of infotainment options that America's captains of mass communications have so laboriously developed. (When they come for me, I hope I'll be able to summon the same courage as Number 6: "I am not a DIRECTV account number. I am a person. I will not make any deals with you. I've resigned. I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own. I resign.")

Until then, I will peruse some of the more interesting and esoteric selections from Netflix instant watch, one subscription that I've kept. I know many people, especially those who want to see the latest blockbusters the moment they come out on video, have excoriated Netflix for its woeful instant watch catalog, but for someone of my eccentric and discriminating taste in film and television, instant watch is like Forrest Gump's box of chocolates. From Spanish language comedies to obscure British mysteries to classic TV from the '40s, '50s and '60s, Netflix rewards the open-minded viewer with an eclectic and vintage smorgasbord of entertainment and information, and all for a few measly bucks a month.

One Step Beyond (TV series, main title)
Recently, I discovered that season one of One Step Beyond from 1959 is available on Netflix instant. From an early age I gobbled up every book I could get my grubby little hands on that dealt with ghosts, flying saucers, ESP, and assorted other paranormal phenomena (no doubt stimulated by all the creature features I watched on the fuzzy black and white television). I read everything of Brad Steiger's that I could find, and then voraciously consumed ghost hunter Hans Holzer's books. Later, I got deep into UFO lore, with authors like physicist Stanton Friedman and Kevin Randle convincing me that where there was smoke there was probably fire with regard to alien visitation. These authors described a world, supposedly a real one, that was infinitely more varied, exciting and intriguing than the sleepy little midwestern college towns that constituted my world as a kid.

So, years later when I discovered episodes of One Step Beyond on videotape, I was immediately hooked. The series, which debuted in January, 1959, featured dramatized stories of true-life paranormal events. The series' host, suave, cultured John Newland, was almost the antithesis of gravelly-voiced, chain-smoking Rod Serling, whose Twilight Zone debuted that same year. Newland was smooth and confident and almost insouciant at times, telling viewers,
"What you're about to see is a matter of human record. Explain it? We cannot. Disprove it? We cannot. We simply invite you to explore with us the amazing world of the unknown, to take that … One Step Beyond …"
John Newland, host of the TV series One Step Beyond (1959 - 1961)
"We invite you to explore with us the amazing
world of the unknown..."
One Step Beyond ventured into nearly every aspect of paranormal phenomena with its 30 minute dramatizations: ghosts, out-of-body experiences, telepathy, telekinesis, precognition, doppelgangers, possession, transcendent visions, you name it. And like The Twilight Zone, it featured up and coming actors and actresses who would soon become household names, as well as some of the very best character actors around: Cloris Leachman, Charles Bronson, Christopher Lee, Louise Fletcher, Robert Blake, Warren Beatty, Mike Connors, Elizabeth Montgomery, Donald Pleasence, etc.

The series lasted three seasons, from 1959 - 1961. The show was a little before my time -- I don't remember watching it when it was first broadcast, and I doubt my parents would have let me watch it at that young age. It was much later, in the '90s, when I discovered some of the series' "classic" episodes on tape. A few years ago I bought Mill Creek's The Very Best of One Step Beyond with 50 of the series' 97 episodes, but was disappointed like many others to find that some of the discs were unplayable. So kudos to Netflix for securing the first season for instant watch (and I'm hopeful they'll soon add the other seasons).

The show was long on atmosphere, featuring tales of ordinary people reacting to bizarre events. As in any series, there are some snoozers and clunkers in the mix, but the best episodes are poignant psychological studies that evoke a sense of wonder (and some chills) at the incredible variety and mystery of life. They also provided an opportunity for some very capable actors and actresses to really show their stuff.

Alfred Ryder as the condemned prisoner John Marriott
Condemned prisoner John Marriott (Alfred Ryder) gets one
last shot of brandy before the execution.
Case in point is episode 11, The Devil's Laughter. This is one of the very best episodes of the entire series, partly because of the incredibly strange nature of the "true" story, but mostly due to character actor Alfred Ryder's tour-de-force performance. Ryder plays John Marriott, sentenced to hang for the passion murder of his girlfriend. In the hours leading up to the hanging, Ryder/Marriott is all tics and bug eyes and breathless moaning. As he's offered a last brandy by the warden in a tin cup, he gulps it down, then grabs the bottle from the warden's hand and downs that too, grinning maniacally with this little act of defiance. On the steps of the gallows, he bucks and sways in panic and desperation. Unlike so many stoic condemned men in Hollywood movies, this is exactly how you would expect a real person to react in such a situation.

When the noose breaks, and he wakes up in his cell a new man, the contrast to the old panicky Marriott couldn't be greater. He boasts that when the executioner fixed the hood over his head, something whispered in his ear and showed him exactly how he was going to die -- at the feet of a lion -- and nothing and no one will be able to change that fate, or kill him in any other way, no matter how hard they try. When the second hanging fails because the platform won't fall despite numerous attempts, the cackling, ebullient Marriott is released from prison by order of Parliament -- two execution attempts is suffering enough. With the Devil on his side, he figures he's beaten the world. After all, how likely is he to die at the feet of a lion in the middle of Victorian London? Indeed, another attempt to kill him, this time with a gun, fails as spectacularly as the hangings. But the supercilious small-timer will still keep his date with death…

Alfred Ryder in the classic One Step Beyond episode, The Devil's Laughter
Murderer John Marriott proves to be a hard man to kill.
Although Ryder was also a veteran of radio and the stage, if you're a boomer who watched any TV in the '50s, '60s and '70s, you will probably recognize his distinctive features. He seemed to be all over the dial, constantly popping up in the TV shows that I loved as a kid: The Outer Limits, Star Trek, The Alfred Hitchcock Hour, Voyage to the Bottom of the Sea, The Wild, Wild West, The Man from U.N.C.L.E., The Invaders and many more.

Note: I've decided to expand the repertoire of this blog to include anthology TV shows like One Step Beyond, especially now that many of these cathode ray tube classics are available online (and these episodes are, after all, nicely crafted short films). Look for more "Fabulous, Fantastic TV Shows of the '40s, '50s, and '60s" right here on this blog. (Like Fantastic Faceless Foes, it will be an "irregular" feature, i.e., as I get the time and inclination. But stay tuned … there's more to come.)


Where to find it:
Available online

Netflix Instant Watch

Available on DVD

Oldies.com

Some things never change...